| 书房是我们读书学习的地方，也是我们陶冶情操、提高文化修养的空间，因此在选择确定书房的位置我们要注意和谨慎着。书房的位置选择住宅中的书房，最好选择一处远离干扰的宁静... 2、书桌的背后要有实墙为靠方。 3、书桌背后不宜靠着住宅的窗户。如靠窗是背后无靠的不良格局。 4、书房门及书桌不宜与宅门、厨厕门正对，否则会令学习的人思想不集中，以至影响工作与学习成绩。 5、书桌不宜背门而放，此同为靠山失空的格局，属于不利因素应该避免。 6、书桌不宜放在房屋的中央，此为四方无靠，无论在精神、学业、事业上，都属不利 格局，应该避免。 7、书桌不宜放在门边，否则同样会令人精神不易集中。 ------------------ |
新家居室内装修书房位置的确定
《龙门飞甲》：《2012》版《新龙门客栈》
| 故事一开篇就让人感觉真正的武侠片又回来了，故事一落幕给人的感觉却是不伦不类，就其原因，我觉得问题出在两个方面，一是运用了过多的电影CG特效，尤其是摧枯拉朽的"龙卷风"一段，简直堪比大漠版《后天》；二是片尾的拖沓，即影响了片长（我觉得2个小时剪到1个半小时才理想），又影响了观众的观影情绪——最后的大决战已经结束，还扯了一段"长长的尾巴"，这就好比"高潮"过后，再来一段"前戏"，反而让人想让人早早入睡。 草它八辈子祖宗的这个金钱时代！ 有肉吃跟着你 2011-12-16 龙门飞甲/新龙门客栈/新龙门客栈2：龙门飞甲 TC枪版在线播放 http://adf.ly/4FMs9 ------------------ |
Twilight: Breaking Dawn Part 1 – Review (F)
Cinema's funniest franchise returns once more, continuing on its seemingly unstoppable rampage to corrupt all the young women it can wrap its tendrils around. This time, however, the story is gearing up for its climax, chopping the pointlessly long novel into two halves to allow for, um, maximum adaptation, or something. Let's be honest, it's probably got more to do with money.
The movie kicks off with eighteen year old Bella Swan (Kristen Stewart) marrying the man of her dreams in the shape of one hundred year old vampire Edward Cullen (Cedric Diggory). Then they go on a honeymoon. Then they have sex. Then she gets pregnant. Then she dies. Then she gets made a vampire. Then the credits roll, signalling an end to the longest two hours of your life.
If that plot summary seems ridiculous, that's because the film feels like it has been stretched out by the filmmakers. The writer is trying to construct an elaborate and engaging story with a narrative that evolves and grows with the passing of time. Stephanie Meyer is sitting somewhere off to the writer's side reading the plot points aloud, saying, 'and then she gets pregnant and then they don't know what to do and then the werewolves threaten to attack and then…'
It may please some to note that absolutely nothing has changed in the franchise. Bella is still a hateful moron, Edward still a whiny douche and Jacob is still –impossibly – the most likeable character, owing to his tendency to get crapped on from a great height and take it all in stride. Amusingly, Bella's human friends – the ones she made who stuck by her throughout her difficult transition to a new school – appear to have completely given up on her, preferring not to try and talk her out of this nonsense. Bella's dad continues on top form, also appearing to have given up on his daughter, choosing to deliver the film's funniest intentional humour by threatening to shoot Edward.
However, that's not what this film is about. No, no, dear friends, Breaking Dawn Part 1 is pure fan service through and through, seeing Bella and Edward finally throw caution to the wind and have some of the most awkward sex in the history of bump and grind. Their honeymoon – shaggery and all – takes up roughly twenty minutes, which, interestingly, is the same length as an actual sex scene in a triple X porn film. The fangirls will undoubtedly go nuts for this, but anyone watching this film in theatres would do wise to bring non-slip footwear to combat the moisture that builds up on the floor.
But here's where things get weird – the symbolism. The Twilight franchise has never been subtle in the message it wants young, inexperienced girls to absorb and this time is no exception. The difference is that this time the message is deeply, deeply disturbing.
First up, the film once again defends domestic abuse by having Bella tell Edward that it's okay that he bruised her during their first attempt at lovemaking. This has been an ongoing issue for the franchise, the idea that IT'S OKAY IF HE BEATS YOU, AS LONG AS YOU LOVE HIM (capitals for emphasis on how utterly ludicrous that sentence is.) Edward abuses her physically during sex and emotionally when he frequently storms out on her while she's having a crisis, but it's okay because she loves him. It's also fascinating to note that Edward gives Bella what she wants (i.e. sex) once and then spends the rest of the honeymoon slowly breaking her heart by holding that against her. Remember girls, if you think you love him, you'll stand by him no matter what.
Secondly, the film puts forward the idea that young girls should throw away their virginity on their first crush EVEN IF THEY'RE NOT READY FOR IT. Seriously, there's a scene where a panicked Bella attempts to get ready for her first intimate moment with her husband. The moment almost borders on being touching – the young lover, brushing her teeth, shaving her legs, picking out appropriate underwear – but is then swiftly ruined, as though Stephanie Meyer herself had written all over the script, by ending with Bella clearly not being emotionally ready for sex but choosing to go ahead and do it anyway. Remember girls, if he says he loves you, bend over and take it.
The third point of symbolism is probably the most contentious, but worth bringing up. This film is actually an allegory for a young Christian girl being gang-pressed into joining a Satanic cult.
No, really.
A young girl is bewitched by a strange young man. She falls in love with him and enjoys spending time with his friends, who, like him, are a gang of bloodsuckers. Then he issues an ultimatum to her – to marry him or leave. Being young, inexperienced and naïve, she agrees to his unreasonable demands and marries him. Then he impregnates her with his demon seed – a phenomenon nobody can understand – and the only way she can stay alive is by drinking blood. Giving birth to the monstrous baby ultimately kills her, so she is forced to become a bloodsucker herself in order to survive.
These are all events from the franchise. Is that third point so crazy now?
As a film, Breaking Dawn Part 1 doesn't work on any level. There is no story, no drama, no conflict, the protagonist doesn't lead the story, the protagonist doesn't make decisions to keep momentum going, the climax is laughable beyond belief and the idea that there is – somehow – another two hours of narrative yet to tell is mystifying. The story is over. Bella has achieved everything she wanted, without ever actually having to earn it.
So Breaking Dawn is far from the laugh riot of the earlier films and a far cry from the film that it believes itself to be. In fact, it's pitiful in a way that makes this writer sad that so many unfortunate young women have been caught up in its spell. Never mind, it's almost over. Once this is done the next fad will roll in and hopefully that one will be a little better.
Grade:F
Top 10 Animated Movies Of 2011
2011 was a good year for animated film. Not a great one. Just good. Pixar fumbled and Dreamworks upped their game. Winnie the Pooh and The Lion King 3D brought a strong old-school flavour. As did Tintin, in a different way. And once again the sheer number of animations crept up, slowly consuming the family film genre. Next year there are significantly more. These are Movie-Moron's top 10 animated movies of 2011.
10. Puss in Boots
This mixture of the fairy tale and the western flushes the memory of Shrek the Turd Third, rediscovering the heart, charm, and wit of the first two movies. Suave Puss (Antonio Banderas) is paired with Kitty Softpaws (Salma Hayek) against Humpty Dumpty (Zach Galifianakis) in this tale of what the notorious fighter, lover and outlaw did before he met Shrek. It may be the greatest cinematic outing for a cat since Mr. Bigglesworth in Austen Powers.
9. Winnie the Pooh
One to make the adults dewy-eyed with nostalgia, this animated revival of A.A. Milne's much-loved creation was short, yes, but also as sweet as the honey which that ponderous ol' bear loves so much.
8. Arthur Christmas
Likely that avid followers of Aardman Animations are mainly looking forward to next spring's Pirates!, a return to the claymation format that first made the studio's name. However this seasonally-themed adventure marked a critically-approved return to CG animation for Bristol-based Aardman, following the disappointment of Flushed Away five years previously.
7. The Adventures of Tintin
Baffling how Spielberg's knack for character has so comprehensively deserted him over the course of the last decade or so, as his sense of jeunesse has metamorphosed into an almost pitiful childishness – exemplified by the endless chases, scrambles and scrapes that wearyingly dominate this first instalment in he and Peter Jackson's proposed Tintin trilogy.
Perversely, it is the oft-maligned mo-cap animation which actually proves to be the saving grace of Secret of the Unicorn, with the Beard delivering some individually magnificent shots, such as when Tintin and Captain Haddock's ocean rowing transmutes into a puddle on the street down which Thomson and Thompson are bumbling.
6. Rio
The makers of Ice Age this year delivered another anthropomorphic animal – a macaw voiced by Mark Zuckerberg. Is this a good thing? Really, is it?!
5. The Lion King (3D)
Any Disney classic rereleased onto the big screen is never likely to struggle to find an audience (witness the success this year in the UK of the BFI's 'Disney 50' programme of screenings). But when you take The Lion King – one of the House of Mouse's biggest-ever blockbusters – and give it a shiny new 3D makeover, the results are sure to be spectacular, no? And so it proved, certainly at the US box office, with nearly $100m duly coined in.
4. Cars 2
The critics might worship the likes of WALL-E, but Pixar are smart enough to know that sometimes the li'l uns who form the core audience of any cartoon movie just want a bunch of really cute characters and some madcap antics – which is roughly what they got from the second Cars, an improvement on the original thanks to a dose of espionage-spoofery.
3. Rango
After Zack Snyder delivered the owl-trocity of The Legend of the Guardians last year, this desert creature western was a much happier animated outing for a big-name live-action director – in this case, Pirates of the Caribbean's Gore Verbinski. Any animation which features the legendary Harry Dean Stanton is more than okay in my book.
2. The Secret World of Arrietty
If Studio Ghibli seems to be treading water to an extent following the start-of-the-century triple-headed enchantment of Spirited Away, The Cat Returns and Howl's Moving Castle, then this lush-looking take on enduring kids' fave The Borrowers was still a bewitching animated treat.
1. Kung Fu Panda 2
Whisper it quietly but after so many years of trailing hopelessly in Pixar's dust, DreamWorks Animation is now hot on the trail of the current leaders of the cartoon pack.
While last year's How to Train Your Dragon amply demonstrated that DreamWorks could deliver the cute characters and the spectacular showpiece scenes, Kung Fu Panda 2 was even better – with a touching origin tale for Jack Black's Po, and top-notch baddies in the shape of the nefarious Lord Shen (voiced by Gary Oldman) and his awesomely block-headed gorilla henchmen.
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Claudia Schiffer全裸拍摄Vogue德国版封面
| 近日，著名设计师Karl Lagerfeld为怀孕中的Claudia Schiffer拍摄了6月号的德国版Vouge封面，在镜头前Claudia Schiffer骄傲的露出她高耸的腹部。 近日，著名设计师Karl Lagerfeld为怀孕中的Claudia Schiffer拍摄了6月号的德国版Vouge封面，在镜头前Claudia Schiffer骄傲的露出她高耸的腹部。 今年39岁的Claudia Schiffer在1月份宣传了她怀孕的消息，她将和丈夫——导演Matthew Vaughn迎来小女儿的诞生。这将是这对夫妇的第三个孩子。 以家庭为重的Schiffer如今严格按照时间表工作。她告诉英国《每日邮报》的记者："我过去每一天都要工作，在世界各地飞个不停，甚至周末也是，从来不曾休息过。" 但是现在，这位世界顶级模特将重心转向了家庭，她说，"当我遇到我丈夫的时候，我说'你知道吗，我要告诉你一件重要的事，我以后周末再也不工作了！'尤其在我有了孩子之后，我就更加严格地管理好自己的时间。" |
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